I’ve come to loathe the question (although it’s more like a polite platitude) “Keeping busy?”, as if an affirmative answer equates to effectiveness and success in life.

I just came across a nice article by someone on the same wavelength as me. Published a couple months ago in Harper’s Magazine, it’s called Quitting the Paint Factory. Here’s an excerpt:

Increasingly, it seems to me, our world is dividing into two kinds of things: those that aid work, or at least represent a path to it, and those that don’t. Things in the first category are good and noble; things in the second aren’t. Thus, for example, education is good (as long as we don’t have to listen to any of that “end in itself” nonsense) because it will presumably lead to work. Thus playing the piano or swimming the 100-yard backstroke are good things for a fifteen-year-old to do not because they might give her some pleasure but because rumor has it that Princeton is interested in students who can play Chopin or swim quickly on their backs (and a degree from Princeton, as any fool knows, can be readily converted to work).

Point the beam anywhere, and there’s the God of Work, busily trampling out the vintage. Blizzards are bemoaned because they keep us from getting to work. Hobbies are seen as either ridiculous or self-indulgent because they interfere with work. Longer school days are all the rage (even as our children grow demonstrably stupider), not because they make educational or psychological or any other kind of sense but because keeping kids in school longer makes it easier for us to work. Meanwhile, the time grows short, the margin narrows; the white spaces on our calendars have been inked in for months. We’re angry about this, upset about that, but who has the time to do anything anymore? There are those reports to report on, memos to remember, emails to deflect or delete. They bury us like snow.

The alarm rings and we’re off, running so hard that by the time we stop we’re too tired to do much of anything except nod in front of the TV, which, like virtually all the other voices in our culture, endorses our exhaustion, fetishizes and romanticizes it and, by daily adding its little trowelful of lies and omissions, helps cement the conviction that not only is this how our three score and ten must be spent but that the transaction is both noble and necessary.